Tess Bible

Bachelor of Visual Arts (Honours)
Painting

Mind: relating to consciousness and thought
Psyche: relating to the soul, mind, or spirit.
Noetic: relating to thinking and reason
Atrophy: partial or complete wasting away (of the body)

How can emotion, sensation and feeling be translated into a visual realm? These immaterial things are experienced by everyone, but as they vary between person to person, what is the best way to communicate my own emotional state?

Collectively referred to as The Atrophy Series, my work is a record of anxiety presenting in real time. It is a record of my body processing and expressing that feeling, while also visualising the anxious thinking process. I used the idea of the index - direct traces of my physical activity - to guide my mark-making. I channelled anxious moments throughout the painting process which can be seen in the forceful application of paint and in the softer fragmented patterns that emerge. Using the shakiness of my hands, corrosive materials and size and scale, my work reflects the overwhelming, nauseating yet sometimes subtle sensation of anxiety.

Tess Bible, New Contemporaries, 2024, installation Photo: Document Photography

Tess Bible, New Contemporaries, 2024, installation Photo: Document Photography

Atrophy (Mind), 2024, Acrylic, methylated spirits and salt on canvas

Atrophy (Mind), 2024, Acrylic, methylated spirits and salt on canvas

Atrophy (Psyche), 2024, Acrylic, methylated spirits and salt on canvas

Atrophy (Psyche), 2024, Acrylic, methylated spirits and salt on canvas

Atrophy (Noetic), 2024, Acrylic, methylated spirits, salt and biro on canvas

Atrophy (Noetic), 2024, Acrylic, methylated spirits, salt and biro on canvas

Tess is an BVA Honours student living and working on Wangal and Gadigal land. Her painting practice involves expanding beyond traditional realms of painting, and is guided by her interest in indexical mark making. Capturing remnants of things that once were, Tess explores how meaning can be translated from artist to canvas to audience through traces of residual activity. These traces are a rendering of energy, physicality and touch - translating something intangible into a visual format.