Farnaz Dadfar

Doctor of Philosophy
Sculpture

All My Broken Pieces (2024) is an experimental installation consisting of broken and fused glass, together with a series of paintings, sculptures and a single-channel video work. A central component of this installation is the Golshan series--a collection of intricate gouache and ink paintings overlaid with fused glass. Reminiscent of a mandala, these miniature works blend sacred geometric motifs with abstract forms, evoking ancient medallions that symbolise transcendence through concentric circles. Made from discarded glass shards collected at the SCA glass workshop, Golshan incorporates swirling patterns and spotty bubbles formed directly in the furnace. The overlay of melted glass on the paintings introduces a dynamic interplay of concealment and revelation, creating unexpected and fragmented configurations that disrupt symmetry and visual order. This effect implicitly juxtaposes Eastern and Western cultural expressions, suggesting a cross-cultural dialogue.

Another component of this installation is a series of sculptures featuring asymmetrical, deformed glazed ceramic, and both coloured and clear glass pieces stacked on a metal support, allegorically signifying potential collapse. This seemingly unstable assemblage serves as a metaphor for fragility and instability, reflecting the complex, precarious experiences of a migrant navigating hybrid identities within a diasporic context.

Farnaz Dadfar, New Contemporaries, 2024, installation Photo: Document Photography

Farnaz Dadfar, New Contemporaries, 2024, installation Photo: Document Photography

Farnaz Dadfar, New Contemporaries, 2024, installation Photo: Document Photography

Farnaz Dadfar, New Contemporaries, 2024, installation Photo: Document Photography

Farnaz Dadfar, New Contemporaries, 2024, installation Photo: Document Photography

Farnaz Dadfar, New Contemporaries, 2024, installation Photo: Document Photography

All My Broken Pieces, 2024, multimedia installation
All My Broken Pieces, 2024. Installation view. Project Space Gallery, Sydney. Photograph by Isobel Markus-Dunworth. Image courtesy of the artist.
Golshan series from All My Broken Pieces, 2024, Melted glass, gouache and ink on canvas paper
Golshan series from All My Broken Pieces, 2024. Detail. Melted glass, gouache and ink on canvas paper, 60 x 60 cm. Photograph by Isobel Markus-Dunworth. Image courtesy of the artist.
All My Broken Pieces, 2024, Glazed ceramic, coloured and clear glass, metal
All My Broken Pieces, 2024. Detail. Glazed ceramic, and clear and coloured glass on a metal support, 150 cm each. Photograph by Isobel Markus-Dunworth. Image courtesy of the artist.
All My Broken Pieces, 2024, Glazed ceramic, coloured and clear glass, metal
All My Broken Pieces, 2024. Installation view. Project Space Gallery, Sydney. Photograph by Isobel Markus-Dunworth. Image courtesy of the artist.
All My Broken Pieces, 2024, Glazed ceramic, coloured and clear glass, metal
All My Broken Pieces, 2024. Acrylic on pigment-printed canvas, 66.5 x 80 x 4 cm. Project Space Gallery, Sydney. Photograph by Isobel Markus-Dunworth. Image courtesy of the artist.

Born in Tehran, Farnaz Dadfar is an interdisciplinary artist working across sculpture, painting, installation, video, and text to explore themes of diaspora and migration. Her work has been exhibited in galleries and museums across Australia, Germany, Indonesia, and Iran, and she has received numerous awards, including Paulette Isabel Jones Career Development Award and the Fauvette Loureiro Memorial Scholarship. Farnaz is a sessional academic and PhD candidate at Sydney College of the Arts.