Jingru Mai (Moira)

The process of making the bottom, 2023, Paper, Rice, Ink

The process of making the bottom, 2023, Paper, Rice, Ink

House for testing in production, 2023, Timber, Fabric, Stained Glass

House for testing in production, 2023, Timber, Fabric, Stained Glass

Making the front of the house, 2023, Timber, Stained Glass

Making the front of the house, 2023, Timber, Stained Glass

The process of making stained glass, 2023, Glass
The process of making stained glass, 2023, Glass
Initial drafts that are very different from the final result, 2023, Watercolor Drawing

Initial drafts that are very different from the final result, 2023, Watercolor Drawing

White lotus flowers, rice, purity, stretch marks, lace dresses, light. These white things have accompanied me throughout my life, bringing me pain, joy and direction, moulding my shape. From birth to growing up, the dogmatic constraints of my environment were oppressive, affecting my mum and bringing me deep fear. The harsh demands that white represents, mixed with the praise that white represents, were eventually released by my mother’s words, “You have a life of your own”. Now white is just white, and anyone can see their own colour in white.

An international student from China who works mainly in glass and ceramics, but also dabbles in painting, photography and animation. Pursuing a more colourful and poetic way of expression, she has participated in three exhibitions this year and won the Forbes China Youth Artist 100 Excellent Artwork Award and the second prize of the Asian Youth Rookie Award, and is still continuing to explore.

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